My Process: Part One
12/30/08 04:49 PM
I thought I'd try something I'd never done before:
I'm going to document my process as I am working on a
painting. I realized that I do not have any "in
progress" images of any of my work. Not to mention,
this should keep me on a schedule to complete this
portrait. So, to start, what I am working on is a
portrait of my two children. I took a number of
pictures of them, as well as sifted through numerous
other ones, to find what I wanted to use. I ended up
using these two photos:
I thought about explaining why I picked these particular ones, but I think I would like the final painting to speak for itself. If anyone knows my kids, I hope they can see my reasoning. Put simply, I found images that not only reflected their personalities, but also their relationship as brother and sister. From these photos, I joined them in Photoshop to work on cropping and composition:
I didn't want all the stuff in the background to take away from the composition, so I blurred it. Next, I printed it out and began a sketch:
After much fine tuning, I scan the drawing and enlarge it on the computer. Then I print it out in "tiles" and piece it all together. This portrait is larger than most of my work – about 20" x 15". Looks like it's time to break out the big brushes!
Next, I get my watercolor board and transfer the printout to the board using graphite paper. I used to use carbon paper, but that stuff's pretty permanent. The graphite paper's like using light pencil – bold enough to see, and easy to erase and lift later.
And here's where I stand now: A board that is masked on the edges with painter's tape and the drawing enlarged and transferred. Next step: the beginning washes!!
I thought about explaining why I picked these particular ones, but I think I would like the final painting to speak for itself. If anyone knows my kids, I hope they can see my reasoning. Put simply, I found images that not only reflected their personalities, but also their relationship as brother and sister. From these photos, I joined them in Photoshop to work on cropping and composition:
I didn't want all the stuff in the background to take away from the composition, so I blurred it. Next, I printed it out and began a sketch:
After much fine tuning, I scan the drawing and enlarge it on the computer. Then I print it out in "tiles" and piece it all together. This portrait is larger than most of my work – about 20" x 15". Looks like it's time to break out the big brushes!
Next, I get my watercolor board and transfer the printout to the board using graphite paper. I used to use carbon paper, but that stuff's pretty permanent. The graphite paper's like using light pencil – bold enough to see, and easy to erase and lift later.
And here's where I stand now: A board that is masked on the edges with painter's tape and the drawing enlarged and transferred. Next step: the beginning washes!!

