My Process: Part Eight
01/18/09 10:04 AM
To finish the painting, I added a dark mix of
Winsor blue and Burnt Sienna to render Jacob's
hair. The t-shirt is where I was getting a little
anxious. It takes up a good amount of space and I
wanted it to be plain enough not to be distracting
but not so plain that it was uninteresting. I laid
in a wash of French Ultramarine to start. It has a
nice "grainy" look to it after it dries. Then I put
down another wet-in-wet wash of that same color to
deepen the values – at the same time, I mingle in a
few areas of Alizarin Crimson. Then I deepen the
darks more by adding some Burnt Sienna to the
French Ultramarine. Now, I failed to mention that
at multiple interval during the process, I step
back from the painting. One thing that I learned in
art school, working in graphic design and even in
personal life, you should always take a step back
from your work to assess, reflect and even to just
forget about it for awhile. Otherwise, at least for
me, insanity awaits. So I take a final step back to
look over the painting. For the finishing touches,
I go back to do some lifting. Lifting is where I
take a wet stiff bristled brush, and lightly scrub
in some light areas by lifting the pigment off the
paper. And voila – my finished piece. I titled it
"Pride and Joy."

